By John Sallis
The start of Tragedy is a rethinking of artwork at the
limit of metaphysics. His shut examining specializes in the
complexity of the Apollinian/Dionysian dyad and on the
crossing of those uncomplicated artwork impulses in tragedy.
"Sallis successfully calls into query a few commonly
accepted and simplistic rules approximately Nietzsche's early
thinking and its debt to Schopenhauer, and proposes
alternatives which are worthy considering."—Richard
Schacht, Times Literary Supplement
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