By Sheila Whiteley
The house among the Notes examines a sequence of relationships imperative to sixties counter-culture: psychedelic coding and rock track, the Rolling Stones and Charles Manson, the Beatles and the `Summers of love', Jimi Hendrix and hallucinogenics, purple Floyd and area rock. Sheila Whiteley combines musicology and socio-cultural research to light up this terrain, illustrating her argument with key recordings of the time: Cream's She Walks Like a Bearded Rainbow, Hendrix's Hey Joe, red Floyd's Set the Controls For the warmth of the Sun, The Move's I Can pay attention the Grass Grow, between others.
The appropriation of revolutionary rock through younger city dance bands within the Nineteen Nineties make this research of sixties and seventies counter-culture a well timed intervention. it's going to tell scholars of well known track and tradition, and touch off acceptance and curiosity from those who lived during the interval in addition to a brand new iteration that draw notion from its iconography and sensibilities at the present time.
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